MetaMusic (a.k.a. Abaltat) handover

MetaMusic (a.k.a. Abaltat) handover

For the past two years, a dedicated team of programmers and computer musicologists in the Interaction Design Centre in the Department of Computer Science and Information Systems at the University of Limerick have been working on developing a novel software package. The idea was to create software that automatically can compose music to video clips, such as television advertisements promos and documentaries, that would otherwise cost producers a lot in terms of music royalties.

The project’s team-leader Mikael Fernström, the co-originator of the project and well-known computer-music composer, commented that “I’ve been working for so many years on finding new kinds of music by means of computing, but when the Abaltat team approached us as and asked if we could do popular music, we said Why Not!“

The resulting software prototype is now being transferred to an exciting new Irish start-up company, Meiticheol Teoranta, trading as Abaltat. Abaltat is located in Spiddal, Co. Galway. The development was sponsored by Enterprise Ireland’s Innovation Partnership programme. Abaltat is also supported by Údarás na Gaeilge, The Western Development Commission and Enterprise Equity Investment Fund.

At the recent IBC trade show in Amsterdam, Abaltat previewed AbaltatMuse. The software and was nominated for the prestigious IABM Peter Wayne Award. The product was also selected as pick of the show by Broadcast Engineering magazine and has been shortlisted by TVB Europe for their IBC awards to be announced in October

Mr Justin McCarthy, one of Ireland’s most well-known video editors and Technical Director of the company said “Based on our market research and the response at the international IBC trade show, we are confident that we have a worldwide success on our hands. The future of broadcasting includes the ability to deliver programming over all media including the web. The issue of music royalties is becoming more and more of a hinderance. Our software solves this problem giving editors an exciting and creative solution. Editors can now control how the music is written, using an editing interface.

The television world will never sound the same…

Special thanks to Eoin, Ian, Tony and Brian who have worked so hard, for so long, on delivering this vision. We’ll do it again, next week 😉