The Interaction Design Centre and the Center for Computational Musicology & Computer Music proudly present:
Date: 21st of November 2007
Venue: Kilmurry Hall, University of Limerick
All are welcome!
￼PTBYBO 3 will present Hellström and Bowers’ latest efforts at circuit bending and live coding (where, respectively, hardware and software are hacked before your very eyes and ears) to explore live sound/image relations in an improvised performance. The occasion will feature the Irish debuts of Ohm-My-God (an environment in which random electronic circuits are constructed) and My Little Dreamachine (a miniaturization of Brion Gysin and Ian Sommerville’s hallucinogenic Dreamachine, the behaviour of which is variously sonified and visually transformed and projected). Generally, lights will flash and circuits will blip with an uncommon intensity as Hellström and Bowers work feverishly to transport all our bodies, minds and souls from the beginning of the end. A Performance To Blow Your Brains Out, surely.
A seminar discussing the techniques in PTBYBO 3 and relating them to larger issues in interaction design and the construction of new instruments for musical expression will be given by Hellström and Bowers in Kilmurry Hall, University of Limerick, the 21st of November 14:00-17:00.
John Bowers is currently a Professorial Research Fellow in the Department of Design at Goldsmiths College, University of London, UK, and a Visiting Research Fellow at the School of Music, University of East Anglia, UK. As an improvising musician, John is part of Tonesucker, an improvising noise metal electric guitar duo (CD Slaughterhouse available on Onoma Research), the Gentlemen of Circuitry, a quartet who play antique and homemade electronic instruments, and the electro-acoustic improvisors The Zapruda Trio (CD Live at Smallfish available on vision-of-sound), amongst other collaborations. Solo work includes The Dial: Have you been to Hilversum? (broadcast by Resonance FM, London), Do It Yourself Silence and Silence Silenced (contributed to the CD A Call for Silence, Sonic Arts Network), and Atonement for Violin Quartet (Norwich Gallery, UK), a four day long performance-installation-webcast revisiting the instrument destruction preoccupations of Fluxus artists. John is co-founder of the Onoma Research music label. A monograph specifying John’s characteristic approach to music, social science research and technical affairs, Improvising Machines, is available from http://www.ariada.uea.ac.uk/ariadatexts/ariada4.
Sten-Olof has been active as a professional composer since 1984 and gained a Masters of Music in composition at University of East Anglia, England 1990. He has been employed as a researcher and composer at the Centre for User Oriented IT Design (CID), Royal Institute of Technology (KTH) since 1997. As a researcher Sten-Olof has mainly worked in the field of Human Computer Interaction where he has been part of several major EU-funded long-term research projects such as eRENA and Shape. He is also very active in the field of sonification (representing data with sound). One example of current work is the construction and development of a computer interface for the visually impaired. Sten-Olof’s main occupation and profession is as a composer working with electro-acoustic music. His music has been performed and broadcast around the world and he is also active as a performer playing live electro-acoustic music on his own and with others such as Ann Rosén, John Bowers and Simon Vincent. Sten Olof is also part of the performance group the Zapruda Trio based in England.
Questions and queries
Please contact Mikael